Education – 2

I thought I would follow up my thoughts on education after Nicola left her thoughts on the subject on our Facebook page at http://www.facebook.com/takingpicturesphotography and in particular her comment ”I also wonder – can you teach someone how to take a good photo”. Its a subject that I purposely shied away from but one that I often think about. I believe that some people have a natural ability, despite themselves, to see an aesthetic composition and scene and will always take a pleasing pictures without much thought, just like some people can always tell when a picture isn’t hanging straight on a wall and others will never see it. But this doesn’t mean that this the skill of seeing ‘a picture’ cant be learnt, at least not to a degree.

This subject brings to mind two past students of mine, but first I have to explain what sort of things can be learnt. There are rules to composition such as the ‘Rule of Thirds’. If a conscious effort is made to apply these rules the authors photographs will improve. Other things will make photographs more pleasing and more interesting such as changing the view by getting higher or lower and tilting the camera at an angle.

The angle ‘thing’ is something I always bring up when doing my lecture on composition and cite Rodchenko, the Russian photographer, as the man who first did this, really only to give some weight to the idea as all the students, particularly at evening classes, view the idea of of putting horizon at an angle strange to say the least. It was when I suggested that my students try this that I got the usual reaction but I always suggest that the students try it and take two pictures, one straight and one at an angle – they never do do both though. One student, Robin, unfortunately no longer with us, was a traditionalist and although he ‘liked what he liked’ always took me at my word and would try anything even if he didn’t like the idea. Robin took picture after picture at an angle and would come in every week with his two images, one straight and one at an angle and always explain that he preferred the straight one and nine time out of ten I agreed. He came to one evening class after another and the angled pictures became a standing joke in the classes. The following year Robin came in with a print he has really please with and before showing the group he exclaimed “I get it” and there was an angled shot that worked, the right angle for the right picture, he never looked back. So Robin learnt what made a good picture but he had to work at it and that’s the difference, not that it cant be learnt but if you don’t have the natural ability you have to try harder to obtain it.

My second student I taught for a year, in that time she was compliant in her assignments but not outstanding. One day a fellow student asked if I had seen this student pictures on Flickr, I said I hadn’t so he showed me. I was speechless, I am not usually prone to over enthusiasm but I wanted to show this work to everyone I saw and tell them I had found a . This might have been an over exaggeration but, after several years gap, I really don’t think it was far from the truth, her pictures were the sort of pictures I wish I had taken but know I never would. My only reservation was that they were all of a type but if she only ever did this type of picture that was fine by me. She was a ‘natural’ and although she never did get the technical stuff I hope she is still making beautiful images but I hope she has learned some technical stuff as well, if she has she will be ‘really, really good’.

In  the words of Pierre-Auguste Renoir ‘Be a good craftsman; it won’t stop you being a genius.’ and conversely learning techniques on composition etc won’t inhibit your technical ability.

Please leave any comment about this subject that you might have, I would be interested to read them.

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Education

As some of you know, I do a little bit of teaching of photography, although this is less and less as the cuts in education hit harder and harder, but that’s another issue. Anyway education is one of my pet subjects in particular education regarding training for a career in photography. With this in mind it was interesting for me to come across a young lady at a wedding a couple of weeks ago who I had met a few years earlier at my brides sister wedding and who had spoken to me then about “getting into photography”. It was refreshing to hear that her passion for the art hadn’t diminished and she had left school with her A levels (including photography) and was in her second year at her local FE college. What have you learned I ask her, a lot she replayed ”although I do wish they would teach us how to take a good picture.” I could have just relayed that I know from my teaching experience that this isn’t really in the curriculum, why? well it cant be marked or rather it can be but but not uniformly across the country. What can be graded is the research, sketch book work and written conclusions that students have to complete throughout their course. Together with written technical notes with examples make most of the work that is marked and the final outcomes seem to be there to back up the written work. I have been aware in the last few the technical written work is seen by students as something that has to be done and I see the eyes glaze over when I try to instill in them the importance of putting this technical knowledge into practice when it come to taking pictures as well as the concentrating on the content of the image.

Getting back to my young lady at the wedding, I explained to her that doing her research work would help her a lot with knowing what was a good picture, although I did think that a little guidance from her tutors would help as well. She then explained that she would also like to learn a bit about aperture and shutter priority, I was at the wedding to take photographs but a little lesson in one of these could be accomplished in a little down time I had during the wedding breakfast so this is what I did but how much more could have been achieved if we had had 2 years (or more if you include the time she had spent doing her A level) instead of half an hour. Another student of mine, I had taught his when my college taught mainly film)  decided to return to education after working in bars etc after leaving my FE college. He applied for and was excepted onto a degree course and a university with a very high reputation.

He spent his 3 years at the university by the sea returning to his home town of Bath with high expectations and a job in the bar he had left 3 years before. I met up with his for a chat and the he was so disillusioned, having been led to believe that when he left uni with his new found skills he would be offered job after job but this obviously wasn’t about to happen. “Come out on a few weddings with me” I said thinking that another photographer would be handy if I taught him my way of doing things. First lesson, set up camera like I have mine set up. I checked that he always shot in ‘Raw’ not jpegs, no, in three years at university he had never been shown how to convert the files so he had never shot a picture in raw.

Concussion. Maybe I’m wrong and maybe you don’t have to show young photographers what makes a good image, maybe in this digital age you don’t need so much technical knowledge as you use to have to know and maybe I live too much in the past to teach the ‘modern way’ but I don’t think so. There are right and wrong ways to do things even if there are many ways to do them but lets give our young photographers a good start by at least teaching them the basics and show them (and explain to them) what ‘makes a good picture’

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Thought for the day

My thought for the day concerns all those couples who my industry has let down. I was talking to a gentleman recently , who shall remain nameless but he’s quite well known within the sporting world. he got married last summer and at event where we met I was taking photographers of the general happenings when he asked me if I would mind taking a photograph or his extended family as they hadn’t been together since his wedding and that he was still waiting for his wedding photographs. I express so amazement that he hadn’t had his wedding album yet but he went on to explain that it wasn’t his album he hadn’t seen, he hadn’t seen any of his pictures at all.

Unfortunately this isn’t an isolated case, I must come across 2 or 3 couple a year who have waited months to get a glimpse of their pictures or album. They have paid good money, up front and then waited patiently and nothing turns up. I’m please to say that most, if not all do get there album eventually but why o why do photographers put people, and themselves through this.

I will photograph a wedding on a Saturday, a large selection of images will be post on our Photoorder website by 6.00pm on the Monday (at the latest) and the proofs/disc will be delivered to the couple during that week for them to choose which pictures they want in their album. Why do I do this? To give good service? Yes , nut this is only partly why, the other reason is much more selfish I have to admit. If I let tit go for a week or tow I would them have 2two or three weddings to sort out, a couple more weeks there would be 4 or 5, plus all my other work with commercial client shouting for their work, mums shouting for their child’s photographs before they leave home. The thought doesn’t bare thinking about. No I would rather get the job done and get on with the next one, that way I can sleep at night without worrying.

So my final advise to couple booking a photographer in the next few months, ask how long they have to wait, get it in writing if you like but make sure you ask. Then if he/she keeps you waiting you can remind them of the promise and demand some compensation.

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Photographing Weddings

I have been photographing wedding for many years now and have seen many, many changes, mostly good some confusing and a few not so good. The good ones, as far as photography goes include how creative the industry has got with the advent of digital photography, how modern the albums are now adding an extra creative element to the finished product and how, we as photographers, can get the images on show so quickly after the wedding and have them viewed all over the country , or even the world.

One of the most confusing developments has to be not knowing what couple are looking for. In the old days of film photography there might be 3 or 4 wedding photographers in an area each one with their own styles but broadly offering similar packages at similar prices. Albums all came from 2 or 3 manufacturers and photography was general of a high standard and couples and their parents appreciated good quality and the experience of these photographers, not that I believe they don’t now but because of the much greater choice of photographers I think that they do fine it confusing to make that informed choice, in other words is too much choice always a good thing? Because of this it has created a problem from our point of view, do we point out the fact that I have so many years experience, that I always have spare equipment in case of camera breakdown, do I extol the virtues of my albums in their design or manufacture? I really don’t know any more, I ask my couple why did they choose Taking Pictures for their photography and there is as many answers as there are couples so I conclude from this that there is no answer.

So what’s bad or worse side of the wedding photography industry today? Well the number of photographers for a start. Not that I think more is worse generally but but I have seen many recessions over the years and in every recession there is always an inclease in the number of people who pick up a camera and head for weddings however this ones been different because digital photography has made it easy, or so the camera manufactures will have us believe. Anyone with the money can buy a camera and start shooting weddings and achieve reasonable results if conditions are favorable, good weather and clients who know what they want, but are the results really of the high standard of a few years ago?

I will share a few examples of things I have seen over past year or so. I was videoing a wedding in the Autumn of last year, the photographer photographed the men, groom, best man and ushers and told them all to put their hands in front of themselves, I was always taught that it was the worse thing to do, it looks like they are defending a free kick in football, I know things change and some things that wouldn’t have be acceptable years ago now are , I often tell the men to put one had in a pocket for instance, but somethings are just wrong.

Another photographer was photographing the bride and her father with the bridesmaids in front of a lovely fountain and the father was standing slightly in front of the bride, did he re pose them? Yes he got the bride to take a step BACKWARDS.

Rose and I were guest at a wedding last summer and I always make a habit of keeping any thoughts on the merits or otherwise of the photographer to myself, I don’t think its fair of me to do otherwise but in this case I will break this rule. The wedding was at what must be one of the most beautiful  wedding locations in the country, Stourhead Gardens in Wiltshire, the wedding ceremony itself was in a temple on top of the hill overlooking the wonderful gardens. After the ceremony it was time to take the goop photographs, ‘stunning backdrop’ I though, bit tricky with the groups being in shade and the gardens behind being in bright sunlight but stunning never the less, some fill in flash and it will be fine. So what does the photographer d? Heads the other way and have a hedge as the background instead. Nice!!!

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